SR review: “Hello Again” at Theo Ubique Cabaret Theatre
storefrontrebellion.substack.com
Theo Ubique brings some new energy to Michael John LaChiusa’s 1994 chamber musical, but it still runs on the fumes of ancient gender essentialism Theater review by Kris Vire Is Arthur Schnitzler’s La Ronde the 19th century’s most adapted play? Despite all of the raw material left behind by the likes of Chekhov and Ibsen and Shaw, among so many others, Schnitzler’s daisy-chain of sexual encounters seems to have inspired an outsized number of riffs by 20th– and 21st-century playwrights, among them David Hare’s
SR review: “Hello Again” at Theo Ubique Cabaret Theatre
SR review: “Hello Again” at Theo Ubique…
SR review: “Hello Again” at Theo Ubique Cabaret Theatre
Theo Ubique brings some new energy to Michael John LaChiusa’s 1994 chamber musical, but it still runs on the fumes of ancient gender essentialism Theater review by Kris Vire Is Arthur Schnitzler’s La Ronde the 19th century’s most adapted play? Despite all of the raw material left behind by the likes of Chekhov and Ibsen and Shaw, among so many others, Schnitzler’s daisy-chain of sexual encounters seems to have inspired an outsized number of riffs by 20th– and 21st-century playwrights, among them David Hare’s